Alex G, Cult Hero’s Songwriter, Upgrading His Sound

Over the past few years, Alex GiannascoliHis life is going in a way that makes it seem like he could record a new album Mature very capital. The pandemic has kept the 29-year-old musician, who performs under the stage name Alex G, in one place for the longest time in years. He got back to work and bought a house in Philadelphia. He read a lot and found himself thinking about religion. And, perhaps most significantly, he put aside his reputation as a self-taught home production genius and started recording in a professional studio for the first time.

So it says that the log leads to, God save the animals, leans towards this introspective and mature mood, and remains his most thrilling and hilarious record. On a July morning in the attic at the Brooklyn Ace Hotel, Giannascoli pondered how his ninth album, due out this week, had become so buzzy. “I always try to keep myself entertained while making music,” he says. “Because that’s my only measure of its quality.”

Cute-looking, slightly lean, dressed in gray clothes and drinking a can of water, Giannascoli tells me he often has trouble describing his creative process. “I actually had a process that I had to go through when I was writing and trying to come up with these things. But it’s something that happens subconsciously for most people,” he said. “And then I tried to put it into words, and I ended…. I almost lie when I try.”

Whatever the truth, it worked. Over the past decade, his ability to appear in an abundance of strangely catchy songs has made him a cult hero, with boosters in Japan’s Breakfast. Michelle Zauner and Frank Ocean, who invited Giannascoli to play on his 2016 album Yellow. His fan base, which has no youth, has made him a minor TikTok hitand dead hardware clustered on one Reddit page—12,000 powerful members — where they dissect lyrics and share playlists. (They seem to be official source of a photo showing a shaggy Giannascoli covered in spilled beer went viral again in 2019 after conservatives mistake it gives a picture of Beto O’Rourke.) In July, he debuted late at night on Tonight’s program and when he returns to New York for his fall tour, it will be two sold-out shows at Brooklyn Steel.

In a way, Giannascoli embodies humor and subtlety in his music, but also admits that the phenomenon exists somewhat outside of himself as a person. He mostly stays away from social media, except for promoting music and describes his main pastimes as watching TV and cooking for his musical partners and collaborators, Molly Germer. The pandemic outbreak in 2020 has delayed his highly anticipated world tour for his final album, but on the other hand, he says his life hasn’t really changed too much in the past few years. isolation conditions. Eventually, however, he started wanting to spend time outside of his house, so he made a habit of going to a local recording studio.

“If one day I’m trying to write and can’t come up with anything, I’ll meet my friend who works in the studio and say, ‘Can I come in and just hang around? ‘, Giannascoli recalls. “And I was just messing around with a lot of things, and one thing led to another, and I said, Oh, I really think I can do this.”

Finally, he attracted his collaborator Jake Portrait, a producer and member of the indie band Unknown Mortal Orchestra, to help turn his studio breakthrough into a record. In an interview last month, Portrait explained that Giannascoli’s talent as a songwriter makes their job together that much easier. Portrait said: “It was great that he had such an imaginative idea of ​​what recording would be like and also had the ability to write some sick songs and some really great lyrics. “When the song is that good, you can do it in a million different ways without affecting the song.”

By Chris Maggio.

He added that the recording in the studio for God save the animals was an opportunity for them to expand on some of the things he loved about working with Giannascoli. “Alex loves recordings and he looks to these references, such as a song or some specific drum sound,” says Portrait. “Even when he’s recording with a $99 microphone, he’s always a listener.” The goal of this album was to make it less isolated and more referential while leveraging the skills of the studio engineers and musicians he knew.

Ultimately, it was meant to bring in some of the young energy from Alex G’s live performances. The rest of Giannascoli’s live band members took on some of the last recordings and songs in the series. album, “Forgive,” was a live recording from a trip to the Clubhouse recording studio in Rhinebeck, New York.

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