Fashion is often a powerful metaphor for social change, more rarely in Tel Aviv on Sunday night, where Mona Almansouri became the first designer from the Gulf to show during Fashion Week Israel.
Emphasizing the significance of the event, Israel’s First Lady Michal Herzog and two cabinet ministers sat front row at a gala dinner in front of 800 guests. Peaked by luxury, Almansouri’s haute couture showcases great Gulf fashion and wedding gowns.
The program comes a week after Israeli Prime Minister Naftali Bennett met the foreign ministers of Bahrain, Egypt, Morocco and the UAE along with US Secretary of State Antony J. Blinken, in the Negev, southern Israel – an unprecedented meeting. yes and an event that was almost unthinkable a few years ago.
Obviously deeply emotional, Almansouri received a standing ovation after her performance, bowing to her Israeli singer Miri Mesika and Motty Reif, the founder and driving force behind the Tel Aviv season . Cap off the show with six brides and bridesmaids in pink tulle clouds and white crepe patterns, each finished with remarkable headdresses studded with real orchids interleaving.
“I want to thank Mona Almansouri for coming to Tel Aviv, and wish people of all faiths Ramadan Karim, Happy Passover and Happy Easter,” said Herzog, a lawyer and colonel in the Israeli Army. , said in one of the previous people to show off the speech.
This season invited some 40 foreign editors, stylists and influencers to participate in the 4-day season, which included 20 catwalk shows, and a joint presentation by the students of Shenkar, the country’s leading fashion school and alma mater of Albert Elbaz.
“This is a time of great potential for change for our country. And we want nothing more than for visiting journalists to tell the world our desire to live in peace with our neighbors,” said Yoel Razvozov, who was born in Russia while stopping on the Trans-Siberian Railway but now is Israel’s Tourism Minister, told Fashion Network.
Tel Aviv has been the scene of several recent bloody attacks, and half a dozen soldiers using submachine guns guard the entrance to the gala. But the inhabitants of this port city seem to be largely unconcerned with the possibilities of change. It was a lot of mood as Kornit Fashion Week – the season named after its main sponsor, the cutting-edge printer specialist Kornit – opened the morning in a converted stand with the show by Dror Kontento.
Dror Kontento: The Bride and the Beef Pie
Due to the large amount of elegant Bauhaus apartment buildings in Tel Aviv it is known as the White City, a UNESCO– protected world heritage site, and there’s a lot of white in this pretty architectural collection.
Dror performed ’80s power shoulder boleros turned into crepe trains; One-sleeve crystal leotards complete with wrap skirts; off the shoulder polka dot blouse and some awesome peplum leather shorts. His main fabrics – crepe and satin are overprinted courtesy of Kornit with crystal patterns and then finished with Swarovski crystals.
Statuette and rather sleek, the collection is marred by formulaic shoes, but backed up by a sublime soundtrack, conducted by DJ Weiss. My sister sample.
In our socializing age, this show features several male brides and lots of cowboy men in gym-style corsets. Plus, the collection ends with a black bride, even if many of the actors look like Russian models. It also includes two veteran domestic runway stars, Nurit Gordon and Rachel Doron, an Armani veteran. Gordon stepped out first like a stellar megalomaniac who acted as if she owned the runway.
“I love using the same fabrics, styles and designs for men and women who need more than 40 minutes to get off the runway, lots of compliments from his fans,” Kontento explains.
Held inside a custom-built space in the Tel Aviv Port Area, the audience certainly had no shortage of enthusiasm, applauding the opening act and giving Kontento a standing ovation on the finale. his end. Amidst the chaos, several cameras infiltrated the runway to capture Dror’s bow.
The main sponsor of the season is Kornit, an Israeli-American international manufacturing company known for its cutting-edge industrial printers. And every print in Dror’s program is better for the Kornit connection.
Seven Seventy: Shalom Samurai
The best show of the day was Seven Seventy, chic street style with a twist. Think Shalom Samurai, as Shmulik designer Ben Shoshan creates chic shorts; Sporty graphics and stylish Japanese warrior proportions in one amazing display.
Cheered by the audience, who greeted a slew of local actors and influencers with thunderous applause. Their abode looks like a reflection of their living dusters and perforated cardigans. It opens with web bears in matelassé jackets and warrior girls in knee-length vests; interspersed with backward kids in worn-out micro minis and patchy paint and jean jackets – many of whom look like wellington boots.
Bursting with great funk and jive soundtracks with Middle Sky Boom & Eliezer, this collection draws on many Western European street ideas, but on its own terms. Shmulik, a father of four Orthodox Jews, holding his bow with his son Jonatan in hand, won the biggest round of applause on opening day. Although little known worldwide, after this powerful premiere, expect to hear more about Seven Seventy.
Teva Naot: Legless and fancy
Integration is at its maximum, at least when it comes to age in Teva Naot, where half a dozen models are gray-haired ladies in their 60s. Again, many of them wear white – from the layered lace gowns and layered satin gowns to a John Lennon Abbey Road three-piece on an elegant lust man and a redhead who looked like a cross between a rose pale doctor and a discolored rabbi. His look is enhanced by a white Hasidic hat.
Then again, considering Teva Naot as a shoe brand, the clothing there is primarily an accessory to footwear. The shoes themselves are a combination of Birkenstockstylish wooden sandals – in rust and silver – or blood-red centurion laces had admirably commercial appeal.
Worn in many shapes and sizes, including Merit Grinberg, a former Miss Israel. Even if the star of the show is, again, Gordon, a student Iris Apfel in a long bottle green robe.
Lots of drama on the soundtrack, led by Night fear! by Yann Capone and Paganini’s Trap by Codecs. In one show, the best place for couples to be is a chiffon bridal gown that is dyed and finished in purple; or Keith Haring-worthy white men’s suits with Royal Roman splashes.
Sabina Musayev: Charming but a little assertive
A very erratic streak of Sabina Musayev. Her floral dresses certainly have a lot of charm, made into elegant little petal prints and made into plissé cocktails both work well. However, her metallic layered gowns and Grecian halter neckline were unflatteringly proportioned.
Shahar Avnet: Best single look of the day
A great opening and a great finale by Shahar Avnet, who rose to international fame after being commissioned by Beyoncé to design a see-through red tulle dress for the legendary singer.
Her show, one of five Sunday catwalk shows by Israeli designers, was also super-composite, with all sorts of figures, albeit resulting in a few quirky moments. Sometimes in Israel, it feels like each model brings along some points of friends and family to cheer on their individual tracks, never like in Avnet, where nearly every light look appreciated.
Avnet’s opening sequence is the single best collection of the day, a crystal studded bra paired with a frayed bubble skirt that’ll look right at home in Parisian couture. However, halfway through it turned into a beach party with models rehearsing on a series of catwalks, it could very well be the case that a designer is still trying to figure out what she stands for. .
Avnet’s layered tulle blend; Stretch satin and rolled crepe can be confusing, but when it works, it can be truly amazing. Like her last two brides – one in elegant spacious pleats of black tulle and the other in a gorgeous white satin – it felt like a moment of grace.
A beautiful fashion finale was held in the White City.
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