If Sinister As a weird TV show, “S Is for Silence” marks a truly bizarre climax. Featured episode from the second season of the popular series, created by Emmy Award nominees Robert King and Michelle King (The good Wife), almost completely silent, is located in a monastery where there is no electricity and no talking is allowed. Kristen’s Supernatural Investigation Team (Katja Herbers), David (Mike Colter), and Ben (Aasif Mandvi) came to find out about the death of a monk, who was considered a saint, evidence of a miracle: A year after his death, his body still showed no signs of rotting.
Gorgely shot on location and deftly committed to silent film conceit — while occasionally breaking the fourth wall — the episode was shot with the assumption that it would air on CBS, as the first season did. ; that would make the episode as creative as network television could be. (It ended up debuting on Paramount+, after CBS decided to move Sinister for live streamers; more on how that affects everything in a moment.) But kings have long demonstrated a particular excellence in working within the confines of broadcasting — even embracing them — while pushing form forward. SinisterIts procedural component is one of its freshest, providing a sort of weekly spooky story imbued with Kings’ distinctive brand of quirky quirks. “S Is for Silence” is no different: It takes our protagonists to a new place, for a journey from a haunted house into issues of faith and intense terror.
Robert King directs episode with longtime DP Petr Hlinomaz, working on key films and references while sticking to the show’s fun spirit. They filmed at St. Josaphat on Long Island, a place so beautiful that it needs to be scaled back. “If anything, we have to see how beautiful it is because what we consider to be the front of the monastery is the back, the four- or three-story section of it,” King revealed. “If you go around to the front, it looks like a college in New England. Just massive. ”
King has wanted to make a silent episode for over a decade. “It started with the idea of how to meet the challenges of making a silent film in a world where you don’t have to — like we can let people talk all the time. I think that’s the madness of it,” said King. “In the room, we were all playing thinking this was going to be the worst episode of the year.”
In fact, it’s one of the best shows of the year — for any TV show. King and Hlinomaz showed us a few pictures that show exactly why.