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Ozark season 4 is really about how hot it is to get promoted in the US

In episode 2 of OzarkNew season 4 premiere, Wendy Byrde (Laura Linney) has a quick encounter with Sam Dermody (Kevin L. Johnson) inside her casino. Things don’t go well for Sam, just as things rarely happen to those who stay in the Byrde circle. Sam used to play the tables for Wendy’s sake, but now he is gambling simply because he has a gambling problem.

Wendy is suspicious when she sees him, but Sam makes sure everything is under control. “I have a plan!” he said, not convincing anyone. Wendy quickly throws him out, saying it’s for his sake. This small moment re-enacts the entire performance in a miniature session. Above Ozarkthere are people like Wendy and Marty (Jason Bateman) and there are people like Sam – the users and the exploited.

The bleak binary system has been going on since 2017, but what makes Ozark It’s always been fascinating to learn how to have people take on both roles at the same time. Marty and Wendy have power over Sam, but what is the difference between that relationship and the one they share with Omar Navarro (Felix Solis)? One has it all, the other has nothing.

Jason Bateman as Martin 'Marty' Byrde, Laura Linney as Wendy Byrde sitting at a casino table in Ozark

Image: Netflix

The first two episodes of OzarkThe fourth and final season sees Wendy and Marty trying to solve their problems, as they often are, by deleting them. There’s more to Sam than they want to disappear. Like what happened to their former co-workers Helen Pierce (Janet McTeer) or Ben (Tom Pelphrey), Wendy’s brother. Helen’s death at the end of season 3 is a loss because Helen is a phenomenal figure, but the viewer’s loss is for the benefit of the Byrde family, as they have advanced in the cartel.

In a 1977 essay, journalist Barbara Ehrenreich and her husband Professor John coined the term “manager-professional class” (PMC) as a group distinct from the traditional middle class rather than farmers. and workers, as well as separate from the working class. They are “salaried mind workers who do not own the means of production”, according to Definition of Barbara. What do they do at work? It can be “widely described as the reproduction of capitalist culture and capitalist class relations”.

In other words, middle management. In other words, Wendy and Marty Byrde. The two have achieved apparent dominance over their small money-laundering operation in the Ozarks, achieved through a variety of ways, but mainly through talking big and getting money. Ruin someone’s life? They’re still alive, so they’ll be fine. Kill someone, or some people? Just an unfortunate reality of business.

To date, the Byrdes have gained notoriety in Mexico, receiving glances as they stroll around a party they will more or less become official activist partners. They have climbed the ladder and are now receiving big offers. But once they’re there, all anyone wants to talk about is work. Specifically, Omar’s cousin Javi (Alfonso Herrera) wants to talk about Darlene Snell (Lisa Emery).

Lisa Emery as Darlene Snell holding a child in the Ozark

Image: Netflix

Javi wanted Darlene to stop developing heroin, so Wendy and Marty issued a warning. Darlene has joined the troubled Boomer-Millennial alliance, with Ruth (Julia Garner) and Wyatt Langmore (Charlie Tahan). The three of them, at least two episodes, form a union less than the sum of its parts. Ruth has her money-laundering abilities she learned from Marty, but lacks a program he wrote to make the whole operation work. Darlene has a farm to grow poppies, but no distribution.

Wyatt mostly has vibes, which are much needed in their small group. When distribution was influenced by the past behavior of corporations, Ruth had the idea to rename their product to something elite, farm-to-table heroin. It was an idea that made Darlene’s skin scrawled.

Maybe because money laundering is the focus of OzarkIts premise, each minor faction in its world can easily be seen through their place in its complex capitalist structure. Wendy and Marty are PMCs, while Darlene Snell represents the older generation of middle-class merchants who they are desperate to kick out of the business (in previous seasons, this perspective has also been shown in Buddy, Mr. He lives in the Byrde basement, and Blue Cat’s one-time owner is Rachel).

The young rebels in their ecosystem, Ruth and now the young Jonah Byrde (Skylar Gaertner), are eager to break PMC’s capital dominance. Each is drawn to his or her place through what is considered a romantic conception of Ozark: genuinely interested in human life, be it Wyatt or Ben. And they want to free themselves from Wendy and Marty’s long arms, while Jonah gleefully brags to Ruth about a system he’s written better than his dad’s.

The Byrde family in Ozark

A big happy family
Netflix

Ben’s fate really pushed Jonah out of his parents’ arms. He tries to explain this to Charlotte (Sofia Hublitz), asking if she would kill him like their mother agreed to when she killed her brother. Charlotte simply walks away, ignoring that their parents’ plan to remove their own names feels crazy, as Jonah puts it, crazy.

Do the impossible, Omar tells Wendy and Marty. How many times has the middle manager been told this by the owner? But washing off Omar’s reputation may be easier for Wendy and Marty than finding any common ground with Jonah. At the end of episode two, the audience gets to see what Jonsi wants but justice for his uncle. It wasn’t an expensive computer or an opportunity to get really smart with his parents, so he was completely honest about his seemingly betrayal.

It’s your chance to be a child of the Ozarks. Hang out in Lazy-O’s pool for a beer from his favorite friend, Ruth. The family, like the capital system, is constantly changing Ozark. All anyone can say for sure is that they don’t want to be like Sam Dermody.

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