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Servant season 3 recap: Apple’s creepy M. Night Shyamalan performance returns

For a non-internet program, Maid is one of the most online shows you can watch. Maybe that doesn’t make sense right away – it’s a series about a couple who hires a nanny to live in a creepy home and a baby doll that seems to have come to life – but the similarities evenly there. It’s a claustrophobic psychological thriller, entirely set in a family’s expensive Philadelphia townhouse. The Said family only interacts with the outside world through screens – and as a result, they gradually fall into a wave of paranoia and suspicion. Over time, their meaningless little world becomes so meaningless that they lose all perspective on what “normal” is, to the point where, in the premiere of season three, the girl they locked up in the attic have now become part of their happy family. Maid, in other words, is a great TV.

[Ed. note: Minor spoilers for Servant seasons 1 and 2 follow]

Created by British writer Tony Basgallop and co-produced by M. Night Shyamalan, who directed several episodes, Maid is an Apple TV Plus psychological thriller about Dorothy (Lauren Ambrose) and Sean (Toby Kebbell) Turner, a wealthy Philadelphia couple who hire mysterious girl Leanne Grayson (Nell Tiger Free) as a nanny. live for their son, Jericho. The turning point in the show’s pilot was that Jericho wasn’t a real boy – he was a doll, an unlicensed therapist assigned as a radical therapy exercise for Dorothy after. when their real son Jericho left the catatonic for a while.

That’s enough for a weird horror movie, but Maid continue to twist. At the pilot’s end, the Jericho doll is somehow still alive thanks to Leanne and it’s unclear if she stole a new baby to replace the doll or if she has some sort of supernatural power. By the time you watch season 3, which premieres Friday, there’s an entire cult involved and an unsettling ritual to release souls, and again: it all happens without leaving this one house.

One remains of the whole family in Servant season 3

Photo: Apple TV Plus

With so many TVs out there, it’s tempting to overshadow the individual quirks of a show or make the creative team’s oddities seem stranger than they are – understand that while Maid unlike nothing else on TV, that’s because few shows are brave enough to trap you in a house with its characters to expected 40 episodes‘worth it compared to what other shows would call an episode and watch as the three characters gasp at each other thinking their deranged behavior is okay. Maybe there’s a reason for that! Binging Maid feels a bit like scrolling on social media for too long or eating nothing but carbs for a week in a row – you don’t unwell and may work fine but level are all wrong.

Arguably this is due to what Maid do well: With M. Night Shyamalan setting the tone in the pilot and returning throughout, the series is like one of his films, a story that takes the collective momentum of a grieving family and then, through a concept The eerie and uncomfortable close-ups, the long distances and oppressive dark lighting and design, make it all seem strange and foreign again. Where Maid using its length to its advantage is the way it pivots at its midpoint to sew that weird backup, and integrating Leanne and Jericho could respawn into a happier version of the family Turner – after a whole season of kidnapping and torturing Leanne.

One by one, external perspectives are introduced – first in the form of Julian, Dorothy’s brother (Rupert Grint) and then a character do Spider-Man HomecomingTony Revolori’s – and warped to fit in or be used by this strange family, a place where the roles of victim and villain shift to the point where you’re not sure who you’re looking at anymore. In this, Maid Partly a show about repression and rejection – there’s Dorothy’s early metaphor of therapeutic baby dolls, but as the show goes on, Leanne’s past in a ruthless, controlling cult control becomes the focus. Getting things out is how these people move forward and come together, and when they do, the home becomes a stronger place than a trap. But that’s assuming they’re honest – and season 3 is focusing on internal rot as threats form without.

A man and woman stand around a baby carriage in stills from season 3 of Servant

Photo: Apple TV Plus

Since Leanne and the Turners are now a family, Leanne’s cult has become a threat to that family and the season begins with a study of Leanne’s personality, alone in the house as The Turners out at sea for the weekend, thinking about what she found and fearing that she might lose it. Alone, Leanne begins to feel a new paranoia – at first harmlessly symbolized by moths, then more openly by a thief.

Like it a lot Related to Shyamalan Work, Maid sly, quietly funny – the occasional TV news clips serve as amusing chatter about brawls over fried chicken sandwiches or wind tunnels at the mall, while chatting intense charades inspire a woman to pose as a caterpillar in a prom dress on the living room floor – but it also deals with real human pain, shown engagingly through performances by Ambrose, Kebbell and Free.

“When something bad happens, and you pretend it didn’t happen,” Grint’s Julien told Leanne midway through season 2, “it’s ingrained in you.” And again, this offline program speaks to a fundamental truth of online life, which is almost completely inseparable from regular life: It is a world in which we move on, post and work, acting as if nothing bad is going on. How rotten, one wonders, has become our normal?

The first episode of Maid Season 3 is now available on Apple TV Plus. New episodes drop every Friday.

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