With the mid-season finale, ‘Star Trek: Prodigy’ ranks a new course

The following contains minor revelations for the tenth episode of ‘Star Trek: Prodigy. ‘

One thing that’s become increasingly common among genre shows is the idea of ​​a “mid-season finale,” where a show is interrupted for a bit, but not before starting things up for the rest of the show. five. Even children’s programs like Star Trek: Prodigy couldn’t escape the phenomenon, as the Paramount + animated series took a hiatus (again) after a giant fork with major changes to characters and central conflict.

The first part so far is a lengthy chase between the escaped prisoners on the train USS Protostar and their former captor, Diviner. Vandals last week forced the crew to hand over their ship to the Diviner in exchange for the lives of fellow prisoners from the Tars Lamora prison complex, leaving them stranded on Diviner’s vandalized ship, REV-12. But it turns out our early teens had a plan to get their ship back, and this week will see that plan come to fruition. It’s been a fun adventure, though largely unsurprising.

STAR TREK: PRODIGY: Ep #110 - Ella Purnell as Gwyn, Kate Mulgrew as Janeway and John Noble as The Diviner in STAR TREK: PRODIGY streaming on Paramount+.  Photo: Nickelodeon / Paramount + Â © 2022 VIACOM INTERNATIONAL.  Copyright Registered.

Where the show ends things up is when it comes to our villain, whose ultimate mission has been revealed to his daughter Gwyn and thus, the audience. And yes, it has to do with time travel. The coolest thing of all is that Diviner’s plot has been rebuilt if not completely messed up right now, with Money star the crew instead focused on getting to the Federation. And it was intended to be – these episodes were written more than two years ago, before the pandemic began. In fact, showrunners Kevin and Dan Hageman revealed this week in an interview with Engadget that they’ve just written episodes 39 and 40. That will be the end of season two, only to be announced back on November.

The long lead time is due to the lengthy animation process, although it also had the effect of making the film unsatisfactory to fans, which is how the Hageman liked it better. The extended production time left them looking only into the writer’s room rather than a vocal minority online, a phenomenon that has derailed other series (most notably War of the Dead). why). For the Hagemans, their most important audience is children, but not in a way that defames children. The decision to place this series away from the explored Federation space was part of keeping it accessible to newcomers, while also freeing it from any constraints imposed by any of the Trek programs. which is running concurrently on Paramount + like Picard.

STAR TREK: PRODIGY: Ep #110 - Jimmi Simpson as Drednok in STAR TREK: PRODIGY streaming on Paramount+.  Photo: Nickelodeon / Paramount + Â © 2022 VIACOM INTERNATIONAL.  Copyright Registered.

But even if it’s still kid-friendly, the Hagemans told Engadget they wanted to create moments.”[stick] to the marrow of your bones, ”like seeing” ET dead on the table. They want the show to have an impact and this week’s scene with Zero is hopefully one of them.

Another inspiration for this season Child prodigy comes from a less sci-fi, more action-packed source: the 1993 movie Concealment. Not too much of an opinion that we’ll see a lot of train explosions, but more in the sense that there are no real villains in the central conflict. The plot part will involve Starfleet trying to get Money star back, and the kids had to stay away from it due to what happened in this week’s episode. Those are just two well-meaning groups with different goals, something I’ve personally noticed recently in a lot of the media and a premise that the Hagemans believe is important for children. em.

STAR TREK: PRODIGY: Ep #110 - Brett Gray as Dal in STAR TREK: PRODIGY streaming on Paramount+.  Photo: Nickelodeon / Paramount + Â © 2022 VIACOM INTERNATIONAL.  Copyright Registered.

It’s important to them to see the kids grow and adapt to their circumstances, especially when they’re tasked with situations where even Starfleet-trained officers struggle: “You see kids dealing with a lot of emotions; a lot of things are coming to them, and there are times when you feel numb, and that’s what you see in youth. We’ve seen some significant character development for Rok-Tahk, and the Hagemans promise the characters will age in whatever number of seasons the show gets. And even Murf got a piece of the plot, part “not about what Murf is… like where does Murf go; what does Murf become?”

Murf fans have no choice but to wait for the next 10 episodes. The rest of the season will see the crew find out what the Diviner did to their ship, and how it got the Federation out of reach. In the past, I’ve noted how the series showcases its technology by focusing on what hasn’t been done yetsomething on display this week as the inmates of Tars Lamora finally have access to universal interpreting technology that impresses with Money star early crew. And, while the ship may seem a bit overwhelming compared to other 24th century technology we’ve seen in other shows, the Hagemans promise it will still be limited in some ways, and that the ship will not “rushing around to their will.” Technology 2383 may have changed lives for Child prodigyof the group, but later the show can showcase how interesting it can be.

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